For it is not self-evident why Trotsky would devote such time in 1924, in the midst of social revolution, to the history and prospects of Russian literature. THIS ESSAY IS SIMPLY TITLED “Trotsky’s Theory of Art.” The title may sound banal, but it is actually quite bizarre. What follows are Bret Schneider’s opening remarks. At its Third Annual Convention, held at the School of the Art Institute of Chicago between April 29-May 1, Platypus hosted a conversation on “Art, Culture, and Politics: Marxist Approaches.” Platypus members Omair Hussain, Lucy Parker, Pac Pobric, and Bret Schneider sought to address “What might the problems of aesthetics and culture have to do with the political project of the self-education of the Left?” A full audio recording of the event is available by clicking the above link.
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